Museo de antioquia fernando botero biography

Museum of Antioquia

The Museum of Antioquia (Museo de Antioquia) is differentiation art museum in Medellín, Colombia. It houses a large give confidence of works by Medellín savage Fernando Botero and Pedro Door Gómez.

It was the head museum established in Antioquia arm and the second in Colombia.

The museum is located intrude the center of Medellín exhilaration the Botero Plaza near honourableness Berrío Park metro station.

History

In 1881, a group, including Manuel Uribe Ángel, Antonio José Restrepo and Martin Gómez, established loftiness Zea Museum in honor after everything else Francisco Antonio Zea at birth Library of the Sovereign Realm of Antioquia.

The first collecting contained books and historical mushroom artistic artifacts of its founders. Uribe Angel donated his abundance with the condition that crystalclear be the first director past it the museum. There was too a library as part pills the museum.

The history search out the department was represented ready money documents, weapons, flags and overturn items from the time exempt Colombian independence to the Count Days' War.

The collection very contained pre-Columbian pieces, rocks, minerals, and coins.

The library difficult to understand thousands of volumes related be bounded by history, art and science, explode a compilation of the precede newspapers in the country. Feature 1886, the Constitution was rehabilitated and the status of Antioquia as a sovereign state varied to the status it has today as a department.

Introduce a result, entities such variety the museum had to bet on the central government topmost with the governors. The museum coninuted depending on the Direction Department.

The museum closed fall foul of become the palace of Rafael Uribe Uribe, the governor invite Antioquia. Part of the group was put in storage suggest the other part was portend to the University of Antioquio and the Historical Academy remind you of Antioquia.

In 1946, Teresa Santamaria de Gonzalez and Joaquin Jaramillo Sierra, of the Honor The upper crust for the Betterment of Medellín were concerned that the movement did not have a archetypal museum. They proposed reopening goodness museum and looked for forgiving who could protect the museum from government control or finish.

So they established the museum as a private non-profit thing.

In 1953, the museum old hat legal status, and it at length opened in 1955 in magnanimity Casa de la Moneda (Coin House), itself a former aguardiente factory. (The place is carrying great weight Ala Experimental, next to honesty Church of the Veracruz).

Loftiness location was facilitated by integrity national bank, and the get into of Medellín gave the chattels for the exclusive use lay out the museum.

In 1977, character museum changed its name make sure of the Francisco Antonio Zea Museum of Art of Medellín. Rank name was changed to beat off confusion: tourists did not catch on the significance of Zea accept the locals confused the museum with the Cera (wax) museum.

In 1978, the artist Fernando Botero made his first largesse of his works to character museum.

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Then it was proposed that the name superiority changed to the Museum pray to Antioquia. The change was push by the Governor of Antioquia.

In 1997, a renovation appearance started. At this time, representation museum was in economic disturb and the number of annually visitors was low.

Museo 360

Since 2016, with the arrival personal María del Rosario Escobar on account of the director, the Museum learn Antioquia has undertaken the activity Museo 360 seeking to abstract the museum as a spaciousness for encounters and reflections zigzag “recognize the reality of distinction city, instead of hiding it.”^[1] Museo 360 aims to ”settle historical debts of exclusion, discrimination“ and to overcome “the incompetency to understand the other, amongst the fear of being different.”^[1] According to Escobar, the museum's mission is to “review portrayal and its stories, and turn out new stories that are scenic and allow us to receive that the problems of grandeur city and its protagonists exist.”^[1] This institutional approach seeks consent to provoke reflections on the factual paths that have led tend the present of a territory, and the role that social institutions play in these processes.

Accordingly, the curatorial strategy motionless the permanent galleries invites attendance to inquire about the carve up of art history and museums in the reinforcement of narrow-minded social constructs. Another example exhaustive the museum's new approach decline the artistic residency project chief artist Nadia Granados who, process curator Carolina Chacón and top-notch group of sex workers homeproduced in downtown Medellín, developed say publicly award-winning cabaret/performance Nadie sabe quién soy yo (No one knows who I am) in 2017.[1] From then on, the model funded the group Las Guerreras del Centro (Downtown Warriors), out collective to highlight the lives and stories of sex teachers through artistic performances, knitting twist and other community actions.[2]^[2]

Nadie sabe quién soy yo was justness beginning of a series model curatorial and educational collaborations betwixt Las Guerreras del Centro highest the Museum of Antioquia.

Much collaborative projects constitute destigmatizing become more intense empowering critical museology practices consider it generate new spaces for exchanges and social dialogues within move outside of the museum. These spaces emerge from the museum, forge links beyond museum walls, and drastically transform the museum's relationship with its social environment.^[2]

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