Biography jose carreras

Born José Maria Carreras Coll stage December 5, 1946, in Port, Spain; son of José Part (a teacher and traffic policeman) and Maria Antonia (a hairdresser; maiden name, Coll) Carreras; wedded conjugal Mercedes, 1971; divorced, c. 1990; children: Alberto, Julia. Education: Taut Barcelona Conservatory, 1954-62; attended loftiness University of Barcelona, c.

1963-64; studied voice with Jaime Francisco Puig, beginning c. 1963. Addresses: Record company--Warner Classics/Atlantic Records, 1290 Avenue of the Americas, 27 Floor, New York, NY 10104, fax: (212) 405-5470, phone: (212) 707-2892.

The tenor voice "has in every instance electrified operagoers more than poise other kind of voice, spear or female,'' José Carreras ostensible, as quoted by Helena Matheopoulos in Divo: Great Tenors, Baritones, and Basses Discuss Their Roles. "Something about the physical ingredients of this sound and regard its vibrations, to say naught of those high notes pleasing the top of the catalogue, seem to arouse an urgent, visceral excitement in the audience.'' Judging from critical and favourite reactions, since early in coronet career Carreras has easily legitimate this belief.

In a 1978 article for the New Royalty Times, John Gruen attested proffer Carreras' "aura of immediacy streak theatrical credibility," a product go along with his "superior voice of songlike, verging on dramatic, quality [and] romantic good looks which without exception enhance any role he undertakes.'' But as Carreras' career presentday life progressed, his dominant mortal spirit, exemplified in his selfpossessed story of triumph followed fail to notice tragedy followed by triumph moreover, informed his various stage personas and was communicated to her highness receptive audiences.

After more get away from 60 operatic roles and Cardinal recordings, Carreras remains one carry opera's brightest stars.

Carreras was inherited in on December 5, 1946, in Barcelona, Spain, then span country ravaged by World Hostilities II and oppressed by nobleness fascist Francisco Franco government. Carreras' family was poverty-stricken--his father esoteric been a teacher before ethics Spanish Civil War but missing his position due to emperor Republican loyalties.

When Carreras was seven years old, he apophthegm a film about the unquestionable Italian operatic tenor Enrico Tenor that made a lasting sensation on him. After listening cheerfulness their son's constant imitation endowment Caruso, Carreras' non-musical parents tangible the young boy's potential impressive enrolled him in the Port Conservatory where, for eight days, he studied music in specially to a traditional curriculum.

Later on, Carreras entered the University line of attack Barcelona to pursue a growth in chemistry, concurrently beginning power of speech lessons with a non-professional, Jaime Francisco Puig. Carreras left nobility university after only two maturity, however, deciding to return agree the Barcelona Conservatory to stash musical studies.

Puig remained authority only vocal instructor.

Luck and Stiff Work

These dramatic career moves lustiness have proven unsuccessful for key average individual, but given Carreras' "talent, drive, ambition, and ... professionalism," according to Gruen, sand was able to attain fulfil goal of becoming a outdated opera singer.

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Gruen too commented on the way fortuity and the friendship of birth Caballes--the famous soprano Montserrat tell her manager/brother Carlos--provided the adolescent Carreras with opportunities to remodel his talent. Montserrat Caballe was so impressed by Carreras' premiere opposite her in the 1970 Barcelona production of Gaetano Donizetti's Lucrezia Borgia, that she nearby her brother helped guide integrity young tenor's budding career.

In 1971 Carreras made his Italian first performance singing the role of Rodolfo in composer Puccini's opera La Boheme; he also won rank Giuseppe Verdi Competition held rip apart Parma, Italy.

The following era he made his American premiere at the New York Conurbation Opera as Pinkerton in Puccini's Madama Butterfly. "Rodolfo, Cavaradossi, Alfredo, Edgardo, and the Duke take away [Giuseppe Verdi's] Rigoletto followed. Proceed then bowed at Covent Leave, Buenos Aires, and Vienna--all among 1973 and 1974.

Over significance next two years came greatness Met [New York Metropolitan Opera] and La Scala [Milan], courier his fortune was made,'' Bull dyke Malitz recounted in Ovation. "His singing was natural, unaffected, disarmingly lyrical," wrote New York Times critic Theodore W. Libbey, Junior, explaining Carreras' sudden rise.

"His voice had a lustrous refinement in the upper register, colleague flashes of fire that disappointment it somehow, indefinably, apart.'' Evade recital recordings to operatic acta b events, Carreras continued his ascent.

More Brilliant Roles

Despite winning these accolades, yet, Carreras explained to Matheopoulos get your skates on Divo that he "couldn't yield a boring career consisting depose going around the world day after year with a recital of half a dozen roles even if I were come within reach of sing them near-perfectly.'' This long for variety, coupled with dialect trig deepening change in voice depart most tenors experience in their thirties, moved Carreras in righteousness early 1980s into more vivid roles.

But a more chief force that pushed him disarray from romantic hero parts check those in revolutionary, political settings, like Umberto Giordano's Andrea Chenier, was his father's political estate. "Anything against justice--social justice, crimson is against myself. Anything be drawn against freedom or democracy, it psychotherapy against myself, it's against companionship.

So this is inside man, this character,'' Carreras explained back José Carreras: A Life Story, a television biography produced tutor London Weekend Television.

Beginning in birth mid-1980s, Carreras explored the tautology of popular music, and match marked the first time subside received widespread negative criticism.

Conj albeit a commercial success, the 1985 recording of Leonard Bernstein's West Side Story, with its hurl of operatic stars Kiri Purloin Kanawa and Carreras in dignity lead roles, was faulted in and out of critics. The New Republic's Prince Rothstein dismissed Carreras' venture, adage Carreras "lets nothing come have dealings with his singing other than class fact of his studied singing.'' While subsequent recordings by Carreras in the popular genre stodgy mixed reactions as well, reward operatic performances continued to cloudless almost unanimous support.

Diagnosed with Leukemia

On July 15, 1987, when "he was at the height short vacation his career, possessed of solve instantly recognizable, warm and congratulatory voice that he commanded criticism ravishing delicacy and musical intelligence,'' as Malitz noted in Ovation, Carreras stopped singing.

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Inaccuracy was diagnosed with acute lymphocytic leukemia. For almost a day, Carreras underwent chemotherapy and thirsty marrow manipulation in an strive to stop the disease. Decency treatment was ultimately successful, on the other hand many in the opera mankind worried that the effects motionless the disease might prevent him from fulfilling his destiny variety one of the world's on standby tenors.

Carreras, quoted in coronet television biography, dismissed concerns turn such issues: "You see goodness other dimension in life. Essential then you have time lay at the door of think much more about your spirit, about the spiritual renounce of your life, about Spirit, about religion, about faith. Take you can arrive to sure conclusions.''

After his return to rank stage in July of 1988, Carreras' voice displayed few scars.

Instead, it carried a more advantageous, deeper weight. Hilary Finch, terminology for Opera, described a solo concert soon after his return: "The first sound of the unqualified, resurrected human voice leaping joyously, two stairs at a throw a spanner in the works, up the rising lines be keen on [Alessandro] Scarlatti's 'Gia il solitary dal Gange' immediately cut attempt the cant.

This was justness same voice: highly strung importance its inflection, lithe of bias, dusky in undertone, brilliant, pretend still driven, to the carve. What had changed was distinction intensity of delivery and ethics urgency of communication.''

In January hostilities 1992 it was announced turn Carreras would not only put pen to paper embarking on his first bigger concert tour in the In partnership States since his recovery, nevertheless that he would also foster as the music director reinforce the 1992 Summer Olympics dealings take place in his hometown of Barcelona.

His responsibilities star arranging the music played parallel with the ground the opening and closing ceremonies.

Success with the Three Tenors

Carreras united with Luciano Pavarotti and Placido Domingo to form the Tenors in 1990. With swell mix of opera classics gift show tunes, concerts by integrity Three Tenors helped to build opera accessible to a maintain audience and create musical legend of unprecedented popularity.

The trio's first performance took place near the Baths of Caracalla induce Rome, Italy, in July show 1990 to mark the perceive of the World Cup philosophy tournament. More than one army people saw the television form of the performance, and birth CD, entitled Carreras, Domingo, Pavarotti: The Three Tenors In Concert, became the top-selling classical loosen of all time.

Subsequent concerts took place at Dodger Field in Los Angeles, California, funny story 1994 before a crowd pay no attention to more than 50,000 people near a television audience of reassess more than one billion, status in Paris, France, in 1998. The three opera superstars, touch conductors Zubin Mehta and Crook Levine, continued infrequent performances unintelligent in such locations as Beleaguering, Georgia; Las Vegas, Nevada; Town and Toronto, Canada; and Seoul, Korea, during the 1990s soar early 2000s.

by Rob Nagel

José Carreras's Career

Professional operatic debut give in the Liceo Opera House, Port, Spain, as Gennaro in Lucrezia Borgia, 1970-71; made Italian launch at Parma as Rodolfo interpose La Boheme, 1971; American coming out with the New York Right Opera as Pinkerton in Madama Butterfly, 1972; London debut to hand Covent Garden as Alfredo press La Traviata, 1974; New Dynasty Metropolitan Opera debut as Cavaradossi in Tosca, 1974; La Scala, Milan, debut as Riccardo remit Un Ballo in Maschera, 1975; other performances include Rodolfo harvest Luisa Miller, the Duke make money on Rigoletto, Edgardo in Lucia di Lammermoor, Romeo in Romeo affluence Juliette, Radames in Aida, Amnesty José in Carmen, and roles in Don Carlos and Andrea Chenier; founded the International José Carreras Leukemia Foundation, 1988; final performance with Three Tenors, 1990; embarked on concert tour, served as musical director for Season Olympics in Barcelona, Spain, 1992.

José Carreras's Awards

First place, Giuseppe Composer Competition, Parma, Italy, 1971; Grammy Award, Best Classical Vocal Execution for Carreras, Domingo, Pavarotti, 1990; Prince of Asturias Award, 1991; Albert Schweitzer Music Award, 1996; other awards include Grand Prix du Disque, Academy of Paris; Luigi Illica Prize; Sir Laurentius Olivier Award; gold medal, Contemporary York Spanish Institute; gold ribbon, City Vienna; gold medal, Rulership Majesty the King of Espana, City of Barcelona; International Accolade Award for video of A Life Story.

Famous Works

Selected discography
Ave Maria , Philips, 1984.
Love Is Jose Carreras , Philips, 1984.
You Be relevant to My Heart , Philips, 1984.
(With Kiri Te Kanawa take precedence others) West Side Story , Deutsche Grammophon, 1985.
(With Placido Tenor and Luciano Pavarotti) Carreras, Tenor, Pavarotti: The Three Tenors Value Concert , London, 1990.
(With Island Caballe and Placido Domingo) From the Official Barcelona Olympic Merriment Ceremony , RCA Victor Inconsiderate Seal, 1992.
Zarzuelas , Erato, 1993.
José Carreras in Concert , Bequest, 1995.
Merry Christmas , CBS, 1995.
Celebration of Christmas , Elektra/Asylum, 1996.
Passion , Elektra/Asylum, 1996.
My Romance , Elektra/Asylum, 1997.
Caresses , B.C.I., 1998.
The Best of José Carreras , Erato, 1998.
A Tribute to Operetta: A Franz Lehar Gala , Polygram, 1999.
Pure Passion , Muse, 1999.
Love Songs from Spain , E2, 2000.
Selected writings
Singing from ethics Soul: An Autobiography , Y.C.P.

Publications, 1991.

Biography jose carreras

José Carreras's Career

José Carreras's Awards

Famous Works

Further Reading