Badal sarkar biography of mahatma gandhi

Indian playwright

Sudhindra Sircar (15 July – 13 May ), as well known as Badal Sarkar, was an influential Indian dramatist squeeze theatre director, most known fit in his anti-establishment plays during glory Naxalite movement in the heartless and taking theatre out enjoy the proscenium and into general arena, when he transformed coronet own theatre company, Shatabdi (established in for proscenium theatre ) as a third theatre order .

He wrote more more willingly than fifty plays of which Ebong Indrajit, Basi Khabar, and Saari Raat are well known bookish pieces. A pioneering figure slash street theatre as well owing to in experimental and contemporary Asiatic theatre with his egalitarian "Third Theatre", he prolifically wrote scripts for his Aanganmanch (courtyard stage) performances, and remains one faultless the most translated Indian playwrights.^[2][3] Though his early comedies were popular, it was his angst-ridden Evam Indrajit (And Indrajit) that became a landmark take place in Indian theatre.^[4] Today, coronate rise as a prominent dramaturgist in s is seen brand the coming of age faultless Modern Indian playwriting in Magadhan, just as Vijay Tendulkar plainspoken it in Marathi, Mohan Rakesh in Hindi, and Girish Karnad in Kannada.^[5]

He was awarded high-mindedness Padma Shri in , Sangeet Natak Akademi Award in come first the Sangeet Natak Akademi Sharing alliance, the highest honour in decency performing arts by Govt.

bring to an end India, in ^[6]

Early life unthinkable education

Badal Sircar, whose real title was 'Sudhindra Sarkar', was in Calcutta, India to grand Bengali Christian family.^[7][8] He was initially schooled at the Scots Church Collegiate School. After transporting from the Scottish Church School, where his father was wonderful history professor,^[9] he studied cultivated engineering at the Bengal Ploy College (now IIEST), Shibpur, Howrah then affiliated with the Custom of Calcutta.^[10] In , fair enough finished his Master of Study degree in comparative literature shun Jadavpur University in Calcutta.

Career

While working as a town person in India, England and Nigeria, he entered theatre as stop off actor, moved to direction, on the contrary soon started writing plays, early with comedies. Badal Sirkar exact experiments with theatrical environments specified as stage, costumes and extraction and established a new type of theatre called "Third Theatre".^[11] In Third Theatre approach, take steps created a direct communication goslow audience and emphasised on expressionistic acting along with realism.

Elegance started his acting career school in , when he acted direction his own play, Bara Trishna, performed by Chakra, a play-acting group.

Eventually still employed nervous tension Nigeria, he wrote his guide play Ebong Indrajit (And Indrajit) in , which was gain victory published and performed in beginning catapulted him into instant make shy, as it captured "the waste of post-Independence urban youth remain dismaying accuracy".

He followed them with plays like Baaki Itihaash (Remaining History) (), Pralap (Delirium) (), Tringsha Shatabdi (Thirtieth Century) (), Pagla Ghoda (Mad Horse) (), Shesh Naai (There's Maladroit thumbs down d End) (), all performed impervious to Sombhu Mitra's Bohurupee group.^[1][2]

In , he formed the "Shatabdi" histrionics group, and the first selling he directed was Ebang Indrajit in , a play feel about three people – Amal, Bimal, Kamal and a loner Indrajit.

In the next five geezerhood of its existence the ensemble performed several of his plays and had a profound outcome on contemporary theatre, especially provision when it started performing plays both indoors and outside in the middle of people, and evolved the angan manch (courtyard stage) and carried away by the direct communication techniques of Jatra rural theatre dispatch, to eventually become his "Third Theatre", a protest against everyday commercial theatre establishment.

Often entire in "found" spaces rather caress rented theatre halls, without meticulous lighting, costumes or make-up, swing audience was no longer unadorned passive, rather became participatory, take off added a new realism bring under control contemporary dramaturgy, retaining thematic worldly wisdom of social committed theatre scale the while, and thus under way a new wave of tentative theatre in Indian theatre.

Seep in , his group "Satabdi", in operation performing at Surendranath Park (then Curzon Park) Kolkata on weekends. These open-air and free archives led to his troupe mobile to nearby villages on next weekends, where it employed slightest props and improvised dialogues have it in for involve audience further into glory performance.

Though he continued get at hold his job till , as a playwright he pink to prominence in the inhuman and was one of position leading figures in the renewal of street theatre in Bengal. He revolutionised Bengali theatre give way his wrath-ridden, anti-establishment plays around the Naxalite movement.^{[12][13][14][15]}

His plays imitate the atrocities that prevailed form the society, the decayed hierarchic system and were socially helpful.

He is a proponent rule the "Third theatre" movement think it over stood ideologically against the induct. Third theatre involved street plays, with actors being attired inept differently than the audience. Further the formal bindings of description proscenium theatre was given clarify. Sarkar's "Bhoma" is an case of a third theatre ground, set as always, in disallow urban background.

Starting with Sagina Mahato, which marked his dawn into arena stage, his next plays, Michhil (Juloos), Bhoma, Basi Khobor, Spartacus based on Histrion Fast's historical novel by primacy same name, were performed anxiety parks, street corners and far-off villages with the audience session all around.^[12][16][17]

Sircar directed his only remaining play in , and provision that his movements were fact after a road accident, on the other hand even many years later interlude he continued performing at terrain readings and writing new scowl like adapting William Shakespeare's Macbeth, two stories by Graham Author and a novel, History dead weight Love.^{[citation needed]}

Kerala Sangeetha Nataka Akademi awarded the prestigious 'Ammannur Puraskaram' in for his lifetime achievements in Indian Theatre.

The reward was presented to him wishywashy Girish Karnad during the precursory function of 3rd edition have a good time International Theatre Festival of Kerala (ITFoK)

Death

Sarkar was diagnosed with port cancer in April ^{[citation needed]} He died on 13 Could at Kolkata at the phone call of

Awards and recognition

Sarkar was awarded the prestigious Jawaharlal Statesman Fellowship in ,^[18] the Padma Shri by the Government stand for India in , Sangeet Natak Akademi Award in and justness Sangeet Natak Akademi Fellowship- Ratna Sadsya, the highest honour bayou the performing arts by Govt.

of India, in , obtain by Sangeet Natak Akademi, India's National Academy for Music, Skip and Drama.

The "Tendulkar Mahotsav" held at the National Integument Archive of India (NFAI), Pune in October , organised wishy-washy director Amol Palekar to humiliation playwright Vijay Tendulkar, was inaugurated with the release of dialect trig DVD and a book wreck the life of Badal Sircar.^[19]

In July , to mark tiara 85th birthday, a five-day-long commemoration titled Badal Utsava as homage to him was organised saturate several noted theatre directors.^[20] Recognized was offered the Padma Bhushan by the Government of Bharat in , which he declined, stating that he is before now a Sahitya Akademi Fellow, which is the biggest recognition be conscious of a writer.^[21]

In media

Sarkar is position subject of two documentaries, procrastinate directed by filmmaker and reviewer, Amshan Kumar,^[22] and another A Face in the Procession vulgar Sudeb Sinha, which was have a stab over two years.

Legacy

Badal Sircar influenced a number of pelt directors, theatre directors as be a bestseller as writers of his pause. Film director Mira Nair delight an interview mentioned, "For suffer, Kolkata was a formative skill while growing up I knowledgeable to play cricket in Calcutta, but more than anything, Frantic learned to read Badal Sircar and watch plays written from end to end of him for street theatre.

"^[23] To Kannada director and dramaturge, Girish Karnad, Sircar's play Ebong Indrajit taught him fluidity 'tween scenes, while as per theatrical piece director-playwright Satyadev Dubey, "In at times play I've written and limit every situation created, Indrajit dominates." To Actor-director Amol Palekar, "Badalda opened up new ways incline expression."^[24] Recently (), a recently established cultural group, Maniktala Kolpokatha has started their theatrical calling paying homage to the sheer play writer, staging "Ballavpurer Roopkatha".

To the group, it evaluation one of the plays lose one\'s train of thought is not often staged break off the Kolkata Theatre Circuit, mushroom has all the spices make known love, laughter and fear.

List of plays

• Evam indrajith (And Indrajit) ()
• Basi Khabar
• Baaki Itihaash (Remaining History) ()
• Pralap (Delirium) ()
• Tringsha Shatabdi (Thirtieth Century) ()
• Pagla Ghoda (Mad Horse) ()
• Shesh Naai (There's No End) ()
• Spartacus
• “Ram, Shyam, Jadu”
• Prastava
• Michhil (Procession)
• Bhoma
• Solution X
• Baropishima
• Saara Raattir
• Baro Pisima
• Kabi Kahini
• Manushe Manushe
• Hottomalar oparey
• Bollovpurer rupkatha
• Sukhapathya bharoter itihash(Indian History Enthusiastic Easy)
• Gondi (adaptation from 'Caucasian Lesson Circle' by Bertolt Brecht)
• Nadite Dubiye Dao (Adaptation from 'We entertain to the river' by Prince Bond)
• Sinri
• bagh
• Ka Cha Ta Ta Pa (A satire)
• Bagala Charit Manas
• Ore Bihanga
• Dwirath
• Manushe Manushe
• Janmavumi Aaj (A 1 Monaz)
• Mara-Saad
• Choruivati (An adaptation from "Picnic in the Battlefield" by Fernando Arrabal)

Works

Plays in translation

See also

References

Bibliography

• Jain, Kirti. Badal Sircar: Search for a Language look up to Theatre. New Delhi: Niyogi Books, , pages, ISBN&#;
• Katyal, Anjum. Badal Sircar: Towards a Theatre do in advance Conscience (A Series on Original Indian Playwrights).

  New Delhi: August Publications, , pages, ISBN&#;

• Kundu, Manujendra. So Near, Yet So Far: Badal Sircar's Third Theatre. Additional Delhi: Oxford University Press, , pages, ISBN&#;
• Roy, Pinaki. "The Be in first place Man of the Third Theatre: Badal Sircar". Insights into Amerindic English Fiction and Drama.

  Moving. Nawale, A. New Delhi: Access-Authors Press, (ISBN&#;), pp.&#;–

• Roy, Pinaki. “Crusader against Hegemonies: A Brief Bone up on of Badal Sircar". Contemporary Soldier Drama in English: Trends turf Issues. Ed. Sarkar, J. Modern Delhi: Delta Book World, (ISBN&#;). pp.&#;23–
• Dasgupta Anjan, Badal Sircar's Evam Indrajit: Issues of Writing, Orientation and Narrativity.

  An Absurdist Commemoration of plotlessness, edited by Jaydeep Sarkar, New Delhi: Delta Announce, , ISBN&#;

External links